This is very important because your output may have problems in different circumstances like undergoing Youtube Compression and being watched on a wide screen. I’m sharing my mistake with you because I’m sure that you’ll be in the same situation if you’re grading for different clients.Īlways make sure you have the right color space. When I fixed my settings and try it again, there were no Youtube Compression problems anymore even with Film Emulation. So my settings were for RAW files and not for Apple Prores 422 Rec. I totally forgot that I wasn’t grading in LOG because this is the first time I received a film that was shot in R3D but wasn’t filmed in RAW. What should be the settings of your Color Space Transform before using the Film Emulation? The film was filmed with R3D Camera but the file that I received was in Apple Prores 422 10-bit. If you’re having this problem with your grade, this is the solution to Youtube Compression messing up your grade: Check your Color Space Transform Settings 709 to film look takes a lot of adjustments. From the built in gamma conversions to properly imitate film halation. This 16mm PowerGrade combines several advanced techniques in film emulation. It’s doable but it will take more time since from Rec. Facebook 0 Twitter LinkedIn 0 Reddit Tumblr Pinterest 0. If Film Emulation will be the limitation of Youtube, it means that all of these colorists will have to rely on manually creating these Film Looks. Most professional colorists use Film Emulation and grade around it. However, is Film Emulation really the problem?īecause that would be a bigger problem for every colorist in the world. I returned the film and the director loved it. So, re-grading it was more difficult because I had to create the look that we agreed upon without using the Kodak 2383 Film Emulation LUT. I found out that when it’s only when I remove the Kodak 2383 film emulation that it looks great on Youtube. He was nice enough to give me all the time I needed but I wanted to bring it back in 2 days so I did. I cannot show how bad it looked because I can’t do screenshots from our TV but it was so bad that I had to ask the director if he can give me time to regrade everything. Your film should still look decent on any device even if the device isn’t calibrated. Yes, our TV isn’t calibrated however, I never watched a short film or feature film that looked like that on our TV. The skin tones became brighter and the saturated part became more saturated while the low-saturation parts got more desaturated. When I watched it on our 55-inch LG TV, it was garbage. You can see a bit of loss in detail but it’s not much to be worried about. It turned out really good on Desktop and mobile phones (Android and Apple). So, what I did was upload the film that I graded on Youtube in private mode just for me to see how it’ll look on Youtube on different devices. If it was in Amazon Prime, Netflix, or Cinema, there wouldn’t be any problem. However, for some reason, I remembered that the film will be uploaded on Youtube. without Rosetta mode).I just finished re-grading a 40-minute short film. Note: macOS Monterey 10.12 or later & Final Cut Pro 10.6.2 or later is required to run Cinema Grade on M1 natively in Final Cut Pro (i.e. What are the minimum system requirements for Mac? Graphics card with: 2 Gb of RAM for HD, 4 Gb for 2K and 6Gb for 4K projects What are the minimum system requirements for Windows? Final Cut Pro requires macOS Monterey 12.2.1 or later & Final Cut Pro 10.6.2 or later to run natively. Natively compatible on Premiere Pro and DaVinci Resolve. Works on Windows in Premiere and Resolve. Yes since launching at the beginning of 2022.
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